Loyle Carner, one of the most exciting jewels of London’s
music scene, wields a rapping style that sounds like a cross between the
confessional honesty of Adele, the carefree flow of De La Soul and the
ingenious wordplay of Common (if you don’t know who the last two are, you’re
missing out). The artist’s unique qualities are what saw him being nominated
for both NME and Mercury prizes in 2017.
Loyle Carner took the name of this album from a poem by Stevie
Smith- who speaks on the album- about a man whose friends thought he was waving
at them from the sea whilst he was drowning (I’m infatuated with concept
albums). Smith brilliantly twists this depressing tale into an analogy of how
people who are suffering mentally often look jolly even though they’re
figuratively drowning in their problems. Listening closely to the lyrics on
this album, I’m astounded by the rapper’s incorporation of this idea into his
approach. The instrumentals (composed mostly by Jordan Rakei, Tom Misch and
Kwes.) literally sound like summer: the stunning drumming on ‘Angels’ and
Jordan Rakei’s harmonious vibraphone on ‘Dear Jean’ bring a smile to my face.
However, the rapper mainly focusses upon solemn and upsetting matters throughout
(which allows him to display his spectacular lyricism). You can hear it on the
track ‘Carluccio’ where he mourns the death of a famous chef, or on ‘Looking
Back’, a song about racial issues.
Loyle and his features Rebel Kleff (AKA Krispy) and Kiko Bun
shine together on ‘You don’t know’. Carner and Kleff are both able to deliver
equally splendid verses over a terrific head-bopping 90’s hip hop style
instrumental whilst Kiko Bun facilitates the perfect atmosphere with his
soulful chorus. In fact, this is one of many tracks where Carner and his
features create a sound that so entertainingly calls upon a 90’s hip hop
influence. Loyle Carner definitely chose his guests well, especially on ‘Desoleil’,
which exhibits a thrilling contribution from R&B singer Sampha. This is
one-of-three songs where I feel that the guest possibly outshone the host
(‘Angels’ and ‘Ottolenghi’ being the other two). Loyle’s mother is the most
heart-warming feature. Her poem on ‘Dear Ben’ ponders her son’s growth and
celebrates the progression of his relationship with his girlfriend. The audible
delight of the rapper at his mother’s eloquent reflections are the perfect
conclusion to a pleasantly cohesive project of poetic monologues.
Looking at this album from the outside, you see/hear all the
wonderful production and immediately think of nostalgic summer days in the
blazing sun. In reality though, this is a sombre confession where Carner looks
like he’s waving in glee meanwhile he’s actually drowning in his troubling
thoughts.
I give this album: ★★★½ /★★★★★
Not Waving, But
Drowning’s tracklist
1.
Dear
Jean
2.
Angel
(ft. Tom Misch)
3.
Ice
Water
4.
Ottolenghi
(ft. Jordan Rakei)
5.
You
Don’t Know (ft. Rebel Kleff, Kiko Bun)
6.
Still
7.
It’s
coming home?
8.
Desoleil
(Brilliant Corners) (ft. Sampha)
9.
Loose
Ends (ft. Jorja Smith)
10.
Sail
Away Freestyle
11.
Looking
Back
12.
Carluccio
13.
Dear
Ben (ft. Jean Coyle-Larner)
Genre- UK Hip Hop, Neo-soul, Jazz rap, Spoken word
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