Radio Silence is the second book from the young new voice in
the YA contemporary literature world, Alice Oseman, whose first book,
Solitaire, published when she was nineteen, gained huge critical acclaim and
was dubbed “the Catcher in the Rye for the digital age.” Radio Silence is a
book that isn’t afraid to tackle issues that a lot of British teens face in
everyday life – A-Levels and applying to university, sacrifices made for
education, and especially mental health. The result is 4oo pages that hit close
to home, especially in the main character, Frances, who is both the
overachieving study machine but also a sensitive, creative girl who feels
desperately lonely but can’t seem to get rid of the divide between her home
life and her school life. “School Frances” is head girl, the one expected to go
to Cambridge, the one who’s going to get all the good grades, and throughout
the book, Frances slowly finds herself realising that maybe the things that
everyone wants her to do aren’t actually what she wants.
The main plot, however, revolves around Frances’ friendship
with Aled Last, an enigmatic genius starting university and the mysterious host
of her favourite podcast, Universe City. Universe City is Frances’ secret love
– she’s been listening to it from the beginning and draws fanart of it, posting
it on tumblr – so when she gets contacted by the podcast owner to draw for a
real episode, she’s over the moon. A few days later, she meets her rival head
boy, Daniel’s, best friend, Aled Last, at a party celebrating the end of school
and he drunkenly reveals that he is the unknown owner of Universe City. Frances
takes him home to recover, and slowly, realising he lives across the street
from her, they start to become friends.
The thing that makes their friendship different from a lot
of other boy-girl friendships in YA books is that it’s purely platonic, and
they trust and love each other in a healthy, beautiful way and lift each other
through difficult times. This quote describes it best; I think everyone's a bit bored with
boy-girl romances anyway. I think the world's had enough of those, to be
honest.
The plot of the book doesn’t meander, and although it’s not
the most fast-paced, it has a lasting effect on the reader. I would definitely
call this book a coming-of-age story, not a mystery, but there are still little
tidbits of questions that the reader collects over time, especially regarding
Aled’s chaotic home life and past, which gradually comes into focus as the
story moves on. Watching the characters grow feels like seeing your plant
finally bloom – they are likeable and relatable in a lot of circumstances, but
what makes it so poignant is the contrasting character arcs of Frances and Aled.
They feel real, like people you might know or even be, which makes the
story even more powerful.
Overall, I rated this ★★★★★/★★★★★
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